https://indiafolkheritageofbengal.weebly.com

The official Largest ever 'Baul ARCHIVE' and PRESERVATION of Baul was complete decades ago, and it HAS ALREADY BEEN PRESERVED by Nabani Das Bauls Grandson BABU KISHAN as per Nabani and Brajabala wishes when Babu was very young. He has worked with a dogged determination and with a strong intent to do as his Baul Guru's from Birth have directed him. At the same time that he did this archive, because of his love of Music and his musical Genius he has done the same for Folk Music.

Babu Kishan aka Krishnendu Das
BabuKishan.org
https://lineagebaul.blogspot.com

Tuesday, March 1, 2016

Nabani Das Khyappa Baul was Rabindranath Tagore's Baul Guru: https://indiafolkheritageofbengal.weebly.com/lineage-baul-of-birbhum.html

https://indiafolkheritageofbengal.weebly.com/lineage-baul-of-birbhum.html
The Oral and Intangible Heritage of Humanity 
Vaishnava Bauls of Birbhum the oldest living lineage of Bauls, An Oral Sanskrit Tradition.
Note* One should understand the oral in the case of the Vaishnava Bauls means Sanskrit, most of the new Bauls do not have any relationship to Sanskrit. Sanskrit was the Baul's indigenous language in the oral tradition.


“That is why, brother, I became a madcap Baul. No master I obey, nor injunctions, canons or custom. Now no men-made distinctions have any hold on me, and I revel only in the gladness of my own welling love. In love there's no separation, but commingling always. So I rejoice in song and dance with each and all."
Rabindra Nath Tagore, The Hibbert Lecture, Oxford, 1930

"the above quote by Rabindranath Tagore is re-quoted from Babukishan's research and  first book 1980's, "Banglar Baul" under the name Krishnendu Das. er than Babukishan". ©

          Rabindranath Tagore's one and only Baul Guru was Nabani Das Khyappa Baul


Rabindranath Tagore became a Baul when the legendary Sri Nabani (Gosia) Das Khyappa Baul gave Tagore the name Ravi (Robi) Baul and in return Tagore gave Nabani (Noboni) the name Khyappa Baul and named him 'Mirror of the Sky'. Rabindranath Tagore was initiated into Baul by Nabani Das Khyappa Baul. To this very day villagers in Birbhum remember a legendary Tantric Vaishnav Baul Saint Avadhut named Nabani Das Khyappa Baul. 

Khyappa or sometimes spelled Kheppa and (Kheppi for women) means sat chit ananda (eternal conscious and blissful), highly mystical, fully awake, aware, divine ecstatic love, wild, free bird, blissful, divine consciousness, magical, mysterious, out of body connected to the divine at a very high level, khyappa is not something that can be faked. It is not a name for everybody it was a name designated for a Avadhut, however, today everybody is calling themselves khyappa as many are calling themselves ‘Baul’ and ‘Baul Guru’.

Rabindranath Tagore the great Bengali Noble prize winner for literature and the writer of the Indian, Bangladeshi, and Sri Lankan national anthems, loved Nabani and Nabani is the only Baul who inspired and associated with Tagore, Nabani was Tagores Baul Guru. The Pous Mela in Shantiniketan was created by Rabindranath Tagore in honour of Nabani Das Baul to bring together intellectuals, poets, and creative artists from around the world.

To the untrained eye and ear wandering and singing a song does not make one a Baul. Rabindranath honoured Nabani because he was an ecstatic mystic full of wisdom, he admired his poetry, his tune and his depth in sadhana as a Tantric Yogi and Baul Avadhut. Rabindranath respected Nabani's ancient lineage and its richness, authentic cultural significance and tradition of wisdom, along with the energetic live wire shaktified pure ecstatic love that Nabani embodied. Tagore also, gave land and a special place for Nabani Das Khyappa Baul to sit and be at Tagores own Vishva Bharti University, they spent much time together and it should be noted that all of the old pictures and the ones at The Royal British Museum in London of Nabani were pictures taken by Tagore himself.

This Baul family and their association with Jawaharlal Nehru, his daughter Indira Gandhi and Rajiv Gandhi


Tagore appointed Nabani Das Baul as a Professor of Baul music and dance at the Tagore Vishva Bharti University  in Shantiniketan. Nabani is the first and last Baul to teach at Vishva Bharti University. One of Nabani's students was Indira Gandhi, her father Jawaharlal Nehru had the greatest respect for Nabani. The Indian Independence movement was in full swing. Nehru appointed Nabani a state singer, where Nabani along with Nehru and his contingent traveled all over India, playing for people, sharing the magic of Baul and Nehru's political messages.

Like his grandfather, KD Babukishan also traveled with his parents around India as state singers for Indira Gandhi, with whom Babu's mother was best friends until Indira Gandhi's assassination. Babukishan recalls going to Delhi for Indira Gandhi's state funeral with the Gandhi family. There were millions of people it was an epic historical event the fall out from her death or I should say her murder was catastrophic. They also were state singers for Rajiv Gandhi until Rajiv's assassination  . Often times after a day of work Babu would sit with Rajiv Gandhi and unwind after their travels through out India. Babukishan has traveled India many times with different people including Sitaram Das Omkarnath, his father, his mentor a Supreme Court judge master Jyotishi who predicted Babu would meet me also he predicted that Sri Purnab Mukerjee President of India would rule India. Purnab Mukerjee and Babu's family were very close as his mom Manju and Pranab's wife were relatives and best friends, the late Mrs Mukerjee whom Babu called Gita Auntie. I met Mrs Mukerjee at the Mukerjee bhavan in Delhi in 2007 she was very sweet.

           
Mystical Bards, Guru's, Pandits, Acharya's who are simply called Baul.


Guru Shishya Parampara Sampradaya Ancient Mystical Lineage. Bauls are Tantrics, Indian musicians who know the Tantra of Sound, Mystical Bards, Guru's, Pandits, Acharya's who are simply called Baul. 
There are some Bauls who are not from this lineage or a lineage period and it is very interesting how they are changing the face of an ancient living lineage that they do not even understand. Real Bauls are mysterious you will never figure them out all one can do is taste their rasa it is impossible to catch a Baul they are here one minute and gone the next, they do not want to be seen and certainly do not want to collect devotee's but there is something to learn from them if one is patient. 
It is a contradictory path of opposites that are meant to confuse as you must be a sincere student it is not meant for the spiritual materialist. One must have one foot in the heavens and one foot firmly on the earth. I have spent 10 years 24/7 trying to put this path into words and have read almost everything ever written about Baul and I will tell you what they write is wrong even what they sing is shortened, and sometimes even they are singing Bollywood songs that people think is Baul? A real Baul is very deep and in some ways not meant for this modern world and of course I do not understand Sanskrit or Bengali, I feel Baul I learn from Babukishan who is so connected to Nabani Das Khyappa Baul.

                Sri Chaitanya - Sri Nityanand of Ekkchakra - Bhakti Yoga
Vaishnava Bauls the original indigenous Hare Krishna Hari Ram singers and dancers.


Jawaharlal Nehru, the first Prime Minister of India, was wise enough to know what the scholar Sri Chaitanya had figured out 500 years before, that Bauls were able to draw people together through their energetic shakti and ecstatic charismatic chanting, singing and dancing. Dry scholarship and talking doesn't necessarily awaken people to a new movement. Sri Nitanyanda of Ekchakra Birbhum was a Vaishnava Baul and the ancestor of this lineage, he was elder to Sri Chaitanya. It was Nitanyanada who taught his Baul tradtion of kirtan, singing and dancing to Sri Chaitanya.

​Sri Chaityana started his Hari Krishna movement based on the ecstatic 'Hari Krishna Hari Ram' singing and dancing of the Vaishnava Baul of Birbhum. The Bauls would start with the Hari Krishna chant early in the mornings as a wakeup call announcing their presence to the villagers of Bengal, inviting them to listen and learn about spiritual life. 

                                                                    Lineage of KIRTAN 

Authentic Baul is a rare, esctatic, super charged high speed internet super duper highway to ecstatic union, direct blissful Yoga and sweet heart-opening devotional singing and Baul Kirtan is full of ecstatic energy that turns even the hardest of hearts to honey, bringing the rasa of ananda (bliss) alive. There is layer upon layer of the heart Bauls awakens layers that one never thought existed, it is magical. Baul awakens a memory deep within the heart you do not have to understand but you must feel.

    
Baul is a secret mystical Tantric esoteric super charged path.

Baul is a secret esoteric path a Baul will never tell you anything directly you must will learn through the practice of listening deeply. If you are fortunate to be with Baul over a lifetime if one is lucky you may grasp a drop, all the rest is just mere speculation. You will be tested every step of the way on this magical journey, the path is not straight it is crooked to prevent the people who are not prepared. Today everybody wants everything right here and now that is not the path of Baul because it is a super advanced path a way to easily reach God/dess but as we know nothing is really easy. It is not a beginners path, however, one can feel the energy and awaken quickly if the person calling themselves a Baul is actually a Baul.
  • The path of Love
  • The path of poetry, deep soul music, trance dance and sadhana 
  • The path of ecstatic union
  • The path of everything as above so below 
  • The path of humanity 
  • The mysterious mystical inner path 
  • The path of GRACE and Divine Love 
  • The path of the Avadhut 
  • The Mystic Tantric Path 
  • The path of higher deep Yoga. The path beyond the Path 
  • The bliss permeated Path 
  • The path of Soul mates 
  • The path of the Divine Feminine 
  • The path of Shakti Sahana

Baul is the path of everything in the universe as above, so below, the path of poetry, all Bauls  produce some kind of poetry, they are poetic storytellers, this is how they distill their teachings in simple poetic songs that hit the heart of everything the universe, there is nothing that is excluded.

Bauls play a one stringed trance inducing instrument called an ‘ektara’ also called the ‘Gopi Chand’ or ‘Gopi Yantra’ which is the Bauls symbol of peace and unity for all. A Baul plays a variety of instruments including a rare one or two stringed instrument called a ‘Gubgubi’ which Nabnai himself named the Ananada Lahari meaning ‘waves of bliss’. Baul is a Guru Shishya Parampara Sampradaya, they are sadhu's and belong to sadhu sangha which are called Akaras. There used to be 22 such sanghas, now there are only 2, they are almost extinct.

There is a lot of misinformation about the Bauls today, misrepresentations abound among a new generation of Baul singers, scholars, writers, documentary film makers, information found on wikipedia, Gurus from other sects including Osho who wrote many books on the Bauls and was deeply inspired by Nabani Das Khyappa Baul. All of them have completely missed the point of who these sweet devotional people are. They repeat the same thing over and over and it is not accurate. Many fakes are changing this beautiful tradition, they dress the part, singing out of tune trying to copy what can not be copied. Baul is only achieved through sadhana. The fake Bauls say they are sadhakas to attract students, some say they are sexual tantrics as sex always sells. This has gone on for a long time. Unaware foreigners attracted by sexual tantra of the west, and Indians attracted by the dream of sexual freedom, flock to Shantineketan. Yet the real Bauls are now almost extinct, and those that still remain, live marginalized.


Bauls accepted all but that does not mean they became the other, it does NOT mean they became Islamic or Buddhist. I can say this with confidence Bauls are not Islamic or Buddhist they are eclectic however, they are based on Santatn Dharma. Baul is a sect unto its own, they are Sahaja Vaishnava Baul and are some of the first Sufi"s and Baul on the planet.

Sahaja = Sufi Vaishnava Baul (Hindu Tantric Sufi) I am trying to put Baul in a category a box this is what we western's  do. Bauls worship the Divine Feminine Shakti.


When I first met Babukishan he would always tell me that he was Sufi Baul or mention the name Sufi, he had some old posters from Sufi Books in New York where he had performed but I knew there was no Islamic Sufi affiliation withe Baul. It was confusing and had taken me a very long time to understand Babukishan was talking about a Sufi way before Islam existed a kind of Sufi that belongs to all the peoples of planet earth a Sufi that has no religious affiliation. Perhaps Sufi is a word like Shamanism and Baul also a term used to describe the earliest teachings of the peoples of planet earth and we can also, call this Sahaja. 

It is very difficult to understand and describe Baul, it works directly on the heart of those who listen providing a type of psychic heart surgery lightening the soul. 

                              What is Sahaja? What Sahaja is not?

Sahaja of the Baul is Krishna Sahaja, Dattatreya Sahaja  an ancient high spiritual reality “Sahaja simply means natural and spontaneous. It not only implies natural spiritual levels, but on the mystic level of the miraculous. It means that easy or natural state of living without planning, design, contriving, seeking, wanting, striving or intention. It is that nature which, when once established, brings the state of absolute freedom and peace. Sahaja is a natural state which balances reality between the pairs of opposites and maintains harmony of the Cosmos.

Thus ‘sahaja’ expresses one who has reverted to his natural state, free from conditioning. It typifies the outlook which belongs to the natural, spontaneous and uninhibited man or women, free from innate or inherited defects.

As such even nakedness of the avadhut is considered to be ‘sahaja’. By his own demeanor a Baul shows man’s instinct for naturalness and primordial perfection not only of the physical and spiritual level but at the mystical level. A parallel is made to plants and trees which do not grow according ‘svadharma’ or rules and obligations incurred at birth. 


Nature only has ‘svabhava’ meaning its own inborn self or essence as its guidance. In other words ‘what is to come must come of itself’ to manifest in a state of absolute freedom. Taoism speaks of ‘sahaja’ as a highest virtue – the loss of the peculiar naturalness or unselfconsciousness. I have personal experiences with Taosim and my Master named his place of practice the same word as Sahaja but in Chinese name.

Bauls are considered to be Sahaja which means natural and spontaneous. It implies natural on the spiritual level and on the mystical level of the miraculous. It means that easy natural state of living without planning, design, contriving, seeking, wanting, or striving for attention.  It is that nature which, when once established, brings the state of absolute freedom and peace. Sahaja is a natural state which balances reality between the pairs of opposites and maintains harmony of the Cosmos.

Sahaja is NOT,  licentious, loose, lustful, lewd, salacious behavior as described by the orthodox Vaishnava coming out of Bengal and in Vrindavan.  Sahaja is a Sanskrit word and those translations are completely wrong. To be sahaja is to hear, see, smell beauty in all things naturally, spontaneously. Sahaja is to be love (prema) unconditionally from the soul spontaneously and naturally it is not acting and faking devotion. Sahaja is a inner feminine way of being the "path of Radha" the inner soul. Sahaja is an elevated higher sattvic way of being. It is to move ones focus inward and not get stuck in rhetoric and the mind or of knowledge an opinions of others, especially the othodox who need you to pay for their temples and way of life. Sahaja. It is about having knowledge but not getting caught and hung up on knowledge, more specifically Sahaja is distilled knowledge which has become blissful wisdom.


One finds this state in an innocent child which is always in its ‘sahaja’ state unless interfered to by society. In his semi-naked state an sahaja avadut is just as unconscious of others nakedness as he was of his own.

“The person who has conquered the baser self and has reached to the level of self mastery: he is at peace, whether it be in cold or hot, pleasure or pain, honoured or dishonoured” – Bhagavad Gita. “ This is Sahaja the Bhagavad Gita and Vaishnavism is Sahaja in its pure unorthodox sitting on a throne form. It should be noted pure Gaudiya Vaishnavism always honored this family of Bauls.

There are perhaps hundreds if not thousands of pictures of this family preforming for them raising huge amounts of money for them. There has never been any debate about them not being ancestors of Sri Nityananda of Ekchakra? Their story has never been told and now with the internet many are making up stories. I hope this is sufficient and people start to understand what Sahaja is. Hey no worries Baul is seriously extinct what you see today is something similar to Yoga as modern postural yoga of the west, although much messier with bits and pieces of the puzzle but no authentic Baul left. Bauls were always very clean and sattvic there long hair clean well kept worn on top of their heads. Baul is a shadow of the past like most indigenous peoples of planet earth. Yes, the are indigenous peoples of Birbhum Rarh an ancient land they did not come from somewhere else or even Calcutta. 


It is important to understand that Baul arrived before both Buddhism and Islam. Bauls are considered to be original Sufi before Muslim existed and Sufi in this context is Hindu or more appropriately called Sanatan Dharmic Sufi. Some say they are the very earliest Indian Sufi's but I do not like to use the word Sufi because there is so much debate about where Sufi is from and the Bauls of Bengal are not Islamic they sing some Islamic Sufi songs because they love all but that does not make them Islamic or Muslim. However, I must make it perfectly clear Sufi pre-dates Islam and Sufi in the context of Baul is not Islamic it is Sahaja (Sahajaya) Baul Sahaja is Universal Sufi.  

   The original Das and Dasi Kirtan singers from Rarh, the red soil called Birbhum

The Bauls were not British educated English speaking Christian Bengali's who learned Sanskrit after the fact. Vaishnava Bauls learned Sanskrit in the oral tradition by hearing and remembering from birth, which creates a person with a photo graphic memory. Bauls are the original Das and Dasi singers and dancers of Bengal, the original kirtanists from the red soil called Rarh. Many of their Kirtan's have been taken by the Orthodox New fundamentalist Vaishnava and claimed as their own? They use a degrading language to describe the Bauls and many other sects to raise themselves up higher than any other religion in the world this surely anyone can understand is most certainly not othodox is shows a lack of confidence and heart towards others. Yet they have no clue where their information and kirtan came from or the true stories. 

                                   KD  Babukishan a Master of Indian Music

Babukishan is a master of India music classical, folk bhajan, kirtan, all music and his job for years was working for the biggest music companies in India categorizing all of the music of India, his description of kirtan is completely different from what is going on in the west. The west is chanting, kirtan is the telling of the stories of Krishna, Ram Shiva and Kali telling their stories in reverence and chanting. Kirtan is worship with reverence it is unheard of in his tradition for people to fall asleep on the floor.

It should be noted that Babukishan has recorded and produced the first recorded Hanuman Chalisa in India that is one of the most successful recordings of the Hanuman Chalisa played in all the temples in India the singer the late Hari Om Sharam. Babukishan has also, produced and recorded music by some of the Islamic Sufi greats including, Abida Parveen, Munni Begam, Allan Fakir, Nusrat Fateh Ali, Karim Khan, Majid Shola, and many more so he understands what is Muslim Sufi and what is Baul Sufi from experience not from books. He has recorded more Lalon Fakir songs than anybody and loves his poetry but still does not consider him to be a Baul. Babukishan has also, produced and recorded the biggest kirtan, bhajan singers in India including ... all those names I can not spell or say I will list them shortly.

Bauls were the biggest peacekeepers accepting all people. It should be understood that Baul is the path of the Avadhut always exploring and learning. They have many teachers but only one Guru. Understanding the history of Bengal is very important to understanding Baul. When Bengal was in strife under Islamic invasion they accepted Sufi into their fold. When Buddhists flowed into Bengal and were challenged by Brahamins, Bauls were the only people who gave them refuge and accepted them saving many from persecution. Baul is a sect onto its own based on Sanatan Dharma with a sprinkle of what are called Sufi and Buddhist practices. Please understand that it is also, said Sufi is based on Sanatan Dharma and was in India way before the Muslim's existed. Bauls have always been natural Indian Tantric Sufi's. A Baul will also say Buddha actually followed Shiva thus Shiva predating Buddha. Many of Baul practices are some of the earliest known before Buddha and before Sufi was ever attached to Islam in modern thought and modern times.
 
  Birbhum W Bengal is the birth place of The Bauls of Bengal.


Stories abound about Bauls being from Persia, Uzbeckistan or Bangladesh, but many of these speculations are coming out of Bangladesh which is a Muslim country. They have somehow appropriated Baul culture and use this as a way to raise huge amount of money, apparently in order to preserve Baul Tradition as their ‘National heritage’. Baul tradition was born thousands of years ago and is indigenous to and originates from Birbhum Bengal. There were no Bauls in Bangledesh, even when Bangaldesh was Bengal they were not from the place now called Bangladesh. Baul has always been based on Sanatan Dharma, the eternal dharma of India as found in the Bhagavad Gita, Upanishads, Puranic and Vedic wisdom. There were no Bauls in Bangladesh prior to the 1970's because Babu's mother Manju was a well know family in that area before it became Bangladesh.

Vaishnava Baul is the lineage of Krishna & Kali Kirtan. The Vaishnava Bauls are the original Kirtanists from the land of Rarh (red soil) which is Birbhum.

Kenduli Birbhum Bengal is the home of the Joy DEV Baul Mela. JOY Dev wrote the Gita Govinda about the love between Radha and Krishna.  

This story comes from the oral tradition of the oldest living Baul lineage as told by Babukishan aka Krishnendu Das Baul, a ‘Lineage Baul Guru’ and the only Baul Guru Scholar from inside the tradition of the Vaishnava Bauls of Birbhum Bengal. Babukishan has lectured all over the world for decades at the University level and has done Baul preformances on some of the biggest stages in the world since the 1970's.

Baul is not only an ocean of devotion but is also, an ocean of Indian Philosophy, Yoga, Tantra, Vedic, Puranic, and Upanishad wisdom. The title 'Baul' implies one is a Guru, Pandit, Acharya, an authority, they were the Shastra before books, they are oral storytellers, spiritual Bards, Bhakti Yogi's, Masters of Nada Yoga, and Vayu Dharma. However, being an oral tradition did not mean they didn't read Bengali and Sanskrit manuscripts and Shastra.

KD Babukishan was born in 1962 in Suri Bhirbhum W Bengal into the lap of Nabani Das Khappa Baul and his wife Brajabala Dasi. KD Babukishan is the birth son of Purna Das Baul and Manju Dasi, however and for whatever reason he was left right after his birth to be raised by Sri Nabani, his Sat Guru and grandfather. Nabani and Brajabala raised their little grandson who was born premature with crooked limbs, it was thought he would die the next day. They named him Krishnendu (Krishna in Bengali). The name Babukishan was given to him by Mahesh Bhatt a Hindi film Director and Suraj Sanim one of the biggest Hindi film writers.

                 Tarapith - Authentic Tantric Sadhana

Nabani was an adept sadhaka at Tarapith who had traveled as a sadhu tantric all over India living in the Himalaya's into Tibet he has lived in caves and was a great Yogi Tantric. Nabani took his sick tiny premature grandson with crooked limbs to Tara Maa right after he was born praying and begging for his life.  Ayurvedic medicine, prayers and mantra were used to heal baby Krishnendu and his limbs were straightened through daily Ayurvedic massage given by Nabani and Brajabala Dasi. It should be noted that Nabani was a healer and he had healed thousands of people eveywhere he went, taking their karma and transmuting their karma.

Nabani knew the Tantra of alchemy and traditional herbs, he was a close friend of the famed Ayurvedic doctor and healer Dr. Kali Goti who also helped with healing Babu. Nabani was an adept at manifesting siddhi's, he knew all the Guru's, Saints, Siddhas, Yogis, Naths, Swamis, Sadhus, Sadhakas of the time and had them all give dharshan and blessings to his little baby Krishnendu. Babu went everywhere with Nabani and was a regular at Tarapith learning tantric and Baul sadhana. hanging out with the Gurus and Tantrics one could say he owes his life to Tara Maa and Kali Maa. The village Rakha Kali Maa temple where he played, was right beside the Ratha Yatra Cart with Radha and Krishna. The village favoured many gods. Babu saw and experienced a world that does not exist today, those times are gone. I specualate that perhaps this was Babu's karma and a continuation of his past life.

            Nabani Das Khyappa Bauls Samadhi 1969

Nabani's samadhi was in 1969, when KD Babukishan was only 8 years old. He thought Nabani was his father, until he learned his real father was Nabani's eldest son Purna Das Baul who had since had two other sons that were raised outside the Baul tradition, in contemporary Calcutta. Most people on a path would agree that our family is not who we are. Guru is our real family if we are lucky to have one, Babu was lucky to have Nabani who left him his spark. Losing Nabani was to be the greatest loss of little KD Babukishan's life and the greatest loss to the whole Baul community. Nabani was not an ordinary Baul he was an extraordinary genius. Babukishan was by his side when he went into samadhi.

On his grandfather’s passing, KD Babukishan recalls: suddenly my grandpa reached out and gave me his hand at the same time a huge thunder cracked and filled the air with energy, my grandpa ' Boro Baba's' whole body turned a blue whitish  an electric current shocked me and ran through my body at the same time automatically the tulsi plant fell over and the Bhagavad Gita sitting in the tulsi plant hit Boro Baba on his head, he was gone. He held my hand so tight I felt an electric current run through my body my third eye opened, I saw the universe my Boro Baba had given me what is called a Bramhma darshan. I felt a huge force of power and light in my body, I couldn't break free of Boro Baba's grip.


The Baul kirtan for Nabani went on for weeks, they chanted HARI KRISHNA HARI RAM for 8 days in a continuous flow, and then 6 more weeks taking breaks for some food and rest. Thousands of people came to pay their respects. Nabani was a famous father figure, Baul Guru of Birbhum, a state artist and the whole state of Birbhum was closed. He was burried in traditional Baul way, sitting in a padmasana.

Some time after his grandfather’s death, his Grandmother sent him to live in Calcutta with Purna Das Baul and Manju Dasi, his birth parents, as she felt he’d be better off there and that he needed to be educated. KD Babukishan's went from the highest energy and biggest love bliss to a material life in Calcutta and a family where he didn't fit in. He recalls how his mother Manju used to bribe him with cookies to call her Maa.

Those days were hard for a little boy, suddenly surrounded by strangers, in the strange city, and before long, they packed him off to Ramakrishna Mission, where he remained for the following twelve years. Living there was tough, but the Swami’s there respected the Bauls, and often told him the story how Ramakrishna loved the Bauls, and said many times how he wanted to be born a Baul in his next life.

                                                 
A New life in Calcutta - Ramakrishna Mission
                                               First trip oversee's London 1971
 


The family sometimes let him stay with them and even travel with them, touring with his father. When he was nine, they went to London and Europe on his first of many overseas trips. They went to perform at the fundraiser for Bangladesh in 1971, 1972, and 1978. There was a big group of Indian musicians who played at Hyde Park at the concert sponsored by the Beatles and The Rolling Stones. That is where he first met and became lifelong friends with George Harrison and the Rolling Stones. Later in 1986, George Harrison along with Ravi Shankar helped him publish his 3rd book on Bauls, now out of print. During that trip they traveled to Mick Jaggers place in Nice, France and where his father recorded with them for the album Jai Bangla. Mick Jagger was their limousine driver, and drove them from the airport to his place. In 2004 Babukishan returned the favor picking up Mick Jagger from the airport when The Rolling Stones performed in Mumbai.

Just as he was in the process of becoming a sanaysin, his father pulled him out of Ramakrishna Mission to work as his tour manager and it should be noted that Babukishan composed most of his fathers music as Krishnendu Das he was also, the youngest music composer in India at the time and was given awards for being the youngest and has a 40 years of award winning music composer. There were many good times and many difficult times with his Calcutta family and he left them for Mumbai after somethings that Babu didn't agree with but always supported them.

                                                                    How to pronounce Baul 

The easiest way to pronounce Baul is (Ba–oowl). Bauls are known as 'wind catchers' , the Masters of Pranayama which they call Vayu Dharma. Baul comes from the words Vayu (air) and Tula (to raise the vital air). Ba stands for Va in Bengali language. Bauls practice various yogic tantric techniques and their singing and mantric chanting. The aim of the Baul is God Realization & Self Realization in the human body, humanity is first and foremost to the Bauls – to be a good human, to realize God within this body temple.

Bauls practice techniques similar to Daoist Qigong. They are Masters of energy work and mysticism. They are visionary and communicate inward, it is a inner path. Inner ritual, Radha and Krishna reside in the alter of the heart this is where the Rasa Lila takes place. As an example of outer it would be the temple and book business and even sometimes even murti's. Remember a Baul does not reject therefore, they also worship murti's but they do not give much importance to outer it is accepted not rejected. I have been to every type of temple, church and even mosques around the world with Babukishan that is what we do. However it is not Babu's dream to be in the temple business, it is his dream to have an ashram to preserve and educate about Baul and folk music, Indian music. His dream is music, Indian music is born in him, his education is music, his career is music, you can take the Baul out of India but you can not take the MUSIC out of the Baul. 

                          Pioneering only Legendary BAULS

Purna Das Baul is the first famous Indian Vocalist to come to America. First arriving in 1967 on a tour from San Francisco to New York staying in Woodstock NY at Bob Dylan's home as guests of Sally and Albert B Grossman (Bob Dylans manager). The recorded music from that time is called 'Bauls at Big Pink'. Purna Das Baul and his brother the late Laxshman Das Baul who was a much loved Baul a Bob Marley of the Bauls appeared on the cover of Bob Dylan's Legendary album John Westly Harding, Bob Dylan was a super fan of Lakshman Das Baul. Sally Grossman has remained a loyal a very dear friend of the Bauls and Laxshman Das Baul since 1967. At 81 years of age Lashman Das Baul passed away in April 2015 ending a legendary period of Baul history.

Please note it was the early 1950's when Purna Das Baul first traveled outside of India, he went to Russia. This family started the tradition of Bauls traveling outside of India it is not their traditional custom.


The Bauls at Big Pink produced by Al Aronowitz the father of Rock Journalism and another beloved friend of Babu's who passed in 2004, Garth Hudson and Robbie Robertson of the Band 1967 / The photo of Nabani Das Khyappa Baul was taken by Rabindranath Tagore. The Bauls on this album are Purna Das Baul and Lakshman Das Baul

Baul Samarat (King of the Bauls) Purna Das Baul at 82 years old has recieved the highest awards as a vocalist in India including many President Awards, Padma Shri and a rare award from the JAGANATHA TEMPLE called 'Nada Brahma Award' which only 3 have received including the much celebrated Ravindra Jain and Lata Mangeshakar. This family of Vaishnava Bauls are celebrated at the Jaganatha Temple in Orissa they know they are ancestors of Nityananda, Jai Nitai.

Allen Ginsberg's 'Guru' was Nabani Das Baul, Ginsberg first met Nabani in the early 1960's while traveling in Bengal. Nabani Das Baul is the only Baul Guru that Allen Ginsberg had, I keep reading how Ginsberg was associated with Lalon Fakir which is a complete fabrication his Baul Guru was Nabani Das Khyappa Baul. Ginsberg became a very dear friend of KD Babukishan he knows all the stories about Ginsberg and any association and inner feelings of his relationship between Ginsberg and Nabani Das Baul. Babu visited Ginsberg every year in New York from the 1980's until Ginsberg passed they were great friends perhaps meeting 100's of times, they are both poets and have a love for Nabani Das Baul. Ginsberg is the one who insisted to Sally and Albert B Grossman (Bob Dylan's manager) to bring Nabani to America, however, in 1967 Nabani's health was failing and he sent his two son's Lakshman Das Baul and Purna Das Baul.

Nabani had also spent a lifetime of traveling throughout India, meditating in the Himalaya's and Tibet and associated with many Guru Bai's and high level adepts many miraculous stories to be told. In 1962 when Babukishan was left with Nabani and Brajabala he stopped traveling. He was addicted to his grandson and considered him to be his Bala Krishna, he also called Babu, Prem and kept him with him all the time.


Kshiti Mohan Sen was a well-known scholar of ancient and medieval India and close associate of Rabindranath Tagore served as the Vice Chancellor of Visva-Bharati University in Santineketan for years. Kshiti Mohan Shastri described Nabani Das Baul "the last real true Baul" he wrote a book on Baul and regarded Nabani as the greatest ocean of intelligence he was as a huge admirer of Nabani. Kriti Mohan Sastri is the Grandfather of Armarta Sen a Professor, Economist and Philosopher living in New York.

This lineage are the only Bauls who have associated with  The President of India Pranab Mukerjee, Allen Ginsberg,  Bob Dylan,  George Harrison and  The Rolling Stone,  Indira Gandhi,  Rabindranath Tagore
,  Jawaharlal Nehru,  Tara Shankar Bandhypadhya,  Kavi Nazrul,  Bidhan Chandra Roy,  Pankoj Mollick,  R. C. Boral,  S D Burman, RD Burman, Bimol Roy,  Sakti Pado RajGuru,  Uday Shankar,  Nitish Mukherjee,  Nitin Bose,   Shantidev Ghosh,  Ajit Ganguly,  Deben Bhattacharya, Pahari Sanyal,  Timir Baran,  Allauddin Khan,  Dr. Amartya Sen's Grandfather Kshiti Mohan Sen,  Ram Kinkar Baij, Sita Ram Omkarnath,  Ravi Shakar, Sonja Gandhi, Rajiv Gandhi, Dr. Ananda Shankar Roy, Priya Ranjan Dasmunsi, Tv Producer Abhijit Das Gupta, Jyoti Basu W Bengal former chief Mininster, Diretor General of India Radio. Dr Bhupeen Hazarika, Mithun Charabhorty, Bapi Lahari, MF Huissen, Chuni Goswami, Shyam Benegal, Amitabha Bachchana, Satyajit Ray, Mrinal Sen, Zakir Hussain, Ratan Tata and many, many more.

                KD Babaukishan aka Krisnendu Das Baul

KD Babukishan walks between worlds in a true tantric form with one foot in the spiritual world and one foot firmly on earth, in the world but not of the world. He is a highly awarded Bollywood Indian Cinema Music Composer, Indian Music Producer, a Master of Indian Music, Classical, Folk, Bhajan, and Kirtan composing scores for 150 films, Film Designer, Film Maker, he has recorded and worked with the who is who of Indian music and Western music.

KD Babukisha was raised a Baul and spent 12 years as a Ramakrishna monk in Calcutta, BA in Indian Philosophy, MA of Indian Music from Calcutta University, Poet, the first Baul to be educated in the oral tradition and outside. A Sanskrit Scholar from the Oral Tradition, Sanskrit Education at the Masters level and because of his love of Sanskrit he spent countless years learning from Dr. Roma Chowdhri who was like a mother to Babu she was a legendary world renowned Bengali Sanskrit scholar who dedicated her whole life to Sanskrit.

Baukishan now lives in Vancouver Canada with me Trishula his Moner Manush wife and partner of almost ten years, traveling back and forth to India. Babu's life changed dramatically when he was in the 2004 Tsunami in Indonesia where he witnessed, tens of thousands of souls leaving Bhumi Maa all at once, one of Maa's biggest smashen grounds. He has lived through the 1971 war between Bengal and Bangladesh, he has lived through many many terrorist attacks in Mumbai and lived many lifetimes in this one lifetime. Babu's main cause has always been to preserve his Baul tradition and it has been proven a difficult task it seems that over many decades his dream, all of his time and energy have been thwarted by his Calcutta family and many other road blocks, but he never gives up.

"The way my braid is, that’s how it will stay.
I’ll get into the water, I’ll splash water around, but I won’t get my hair wet.
I’ll swim about this way, and that way.
I’ll dive into the water, and won’t listen to what people say.
I’ll enjoy myself but not suffer because of it.
Gosain Rasaraj says: “Listen, my friend , that beauty leaves me speechless".
I won’t be chaste; I won’t be unchaste.

I won’t leave my Lord".
 Famous Baul song (poetry) by Rasaraj Gosai (Nabani Das Baul's elder brother)

Not getting ones hair wet means to remain unattached do it, do everything but do not remain attached to the event or outcome give your attachments to Krishna.

​Bauls songs are metaphorically coded. It is really hard to translate Bengali or Sanskrit into a one worded English translation and sometimes even impossible, there is assumed one knows all of Yoga and Tantra because each song is many discourses all in a simple song and sometimes you do not need to understand, you can listen and just get in it on a very deep level, the songs awaken a person to understanding. It is very subtle but a memory deep within your heart will understand.


The Joy Dev Baul Mela is held here the Vaishnava Bauls attend ever year to do puja to the great poet (kavi) Joy Dev. The bridge going across the Ajoy river is named Nabani Setu after Nabani Das Baul. The mela is completely different today, the Bauls have been marginalized and pushed out by the new kirtan singers. The Bauls honour Joy Deva and the love he had for his soul mate Padmavati because Bauls believe in Soul Mates as Radha and Krishna live and dance in their hearts, this is the real Rasa Lila dance.

             Copyright all rights reserved 2016 by Trishula Das
                                          PLEASE do not copy and paste, then cut the names off.

            Copyright all rights reserved 2016


If not for Baul Saint Nabani Das Kyappa Baul, Purna Das Baul and Maju Dasi, Lakshman Das Baul and Babukishan aka Krishnendu Das Baul there would be no one in this world who would know anything about Baul.

Babukishan should be given an oscar or an equivalent reward because if not for him no one would know anything about Baul. He created most of the relationships and maintained them for his Baul family, he has never asked for acknowledgement but I am saying after hearing what he has done for Baul. He is the first Baul author writing 3 books on Baul in the 1980's, the last one in 1986 was published with the help of George Harrison and Ravi Shankar. George Harrison was Babu's person friend. Ravi Shakar was a family friend he has known since childhood, Babu was best friends with Ravi Shakar's only son.

This lineage are the pioneers who brought Baul to the world. Today some 50 or 60 years later some Bauls are trying to do what they have done and that is a good thing they have been inspired by this lineage the oldest living lineage of Baul, however, the copying and deleting of this lineages names and then just listing them just as the Bauls of Bengal who were associated with Allen Ginsberg, Bob Dylan, George Harrison and more.

I have seen article after article on the net saying Bauls even received a Padma Shri Award, no Bauls did not a Baul did and his name is Sri Purna Das Baul, please use the names of the Baul and when saying Bauls were associated with Tagore, it was only Nabani Das Khyappa Baul. 

Bauls were not associated with any of the below, it was only this family of Bauls the oldest living lineage and the Bauls who brought Baul to the world.

Please do not use what they have done and then generically say Bauls did.


If you were the Prime Minister of India would all chai walla's take credit and say Chai Walla's are Prime Minister of India?

This lineage and family are the only Bauls who have associated with, when you read Bauls associated with Bauls did not only Babukishan and family did. Bauls in general as posted on the internet did not. I t should read Babukishan aka Krishnendu Das or Purna Das Baul or Nabani Das Baul associated with|: 

Allen Ginsberg,
Bob Dylan,
George Harrison
The Rolling Stones,
Indira Gandhi,
Rabindranath Tagore
,
Jawaharlal Nehru,
Tara Shankar Bandhypadhya,
Kavi Nazrul,  Bidhan Chandra Roy,
Pankoj Mollick,
R. C. Boral,
S D Burman,
RD Burman,
Bimol Roy,
Sakti Pado RajGuru,
Uday Shankar,
Nitish Mukherjee,
Nitin Bose,
Shantidev Ghosh,
Ajit Ganguly,
Deben Bhattacharya,
Pahari Sanyal,
Timir Baran,
Allauddin Khan,
Dr. Amartya Sen's Grandfather Kshiti Mohan Sen,
Ram Kinkar Baij,
Sita Ram Omkarnath,
Ravi Shakar,
The President of India Pranab Mukerjee,
Sonja Gandhi,
Rajiv Gandhi,
Dr. Ananda Shankar Roy,
Priya Ranjan Dasmunsi,
Tv Producer Abhijit Das Gupta,
Jyoti Basu W Bengal former chief Mininster, Diretor General of India Radio.
Dr Bhupeen Hazarika,
Mithun Charabhorty,
Bapi Lahari,
MF Huissen,
Chuni Goswami,
Shyam Benegal,
Amitabha Bachchana,
Satyajit Ray,
Mrinal Sen,
Zakir Hussain,
Ratan Tata and many, many more. 


 Babukishan aka Krishnendu Das Baul is the only BAUL who has worked in Indian Cinema and Bollywood for 30 years in a big big way. He has, recorded composed and produced most of his father's music without taking credit or any payment, he did everything for his Calcutta family for free and gave them everything and in return they delivered negative prayers. A negative prayer is the opposite of being a well wisher.

All will be told in our upcoming book which is almost, ready for printing. There will be two books "The Rasa Lila Mystics" on this lineage and another book about Babukishan's life Baul to Bollywood to Canada and it will be unplugged.

Tuesday, February 8, 2011

Bauls originate in West Bengal India. The ocean of Baul and the Lineage of Baul is from India based on Hinduism, and Indian Philosophy!


Indigenous fraud, Indigenous Identity Theft.
https://lineagebaul.blogspot.com/2025/02/indigenous-identity-theft-indigenous.html


EKTARA Foundation is a Non profit Organization for the preservation of the ancient Oral living lineage of The Bauls of Bengal under the Direction of Krishnendu Das Baul aka Babukishan Babukishan.org


The Bauls of Bengal originate from Birbhum West Bengal, they are the authentic original indigenous Bauls ane the only living lineage of Bauls , they have been around for thousands of years. 
The ektara or 'Gopi Chand, aka Gopi Yantra" only originate from this one and only lineage of Baul, the Das Baul and Dasi lineage of Gosia Chand. 
The Ektara drones like AUM or OM and is their symbol of peace and unity for thousands of years.

This lineage is based upon Krishna and Dattatreya Shaja, not Buddhist Sahaja.

This is the lineage and of Sri Nityanada from Ekkchaka W Bengal who is their direct ancestor, Nitai as many call him was a Baul Avadhuta.  

Sri Nabani Das Baul, Sri Purna Das Baul and Babu Kishan aka Krishendu Das Baul are the Vaishnava Tantric Bauls who brought Baul out of the villages to Birbhum to Bengal, then all of India and Babu Kishan pioneered Baul worldwide, recording Baul, teaching at Universities because he was qualified with a BA and MA from Calcutta University, he taught lineage Baul, Indian Philosophy, Indian Music and Sanskrit and Bengali. 

Please take a moment to read stories from this one and only lineage, the history of the Bauls 101

 BHAVA Project... http://lineagebaul.blogspot.com/ it was Babu Kishan's vision since the 1970's but through many disappointment and through the muddied water of time the fake pretendian Baul have used and abused Baul. Time to clear the story up and clean up the wreckage of time. Babu Kishan has a new vision he is the one who preserved Baul for over 60 years, it is time to reclaim this indigenous tradition.

This was his old vision, it has changed and we will reveal that when his 4th book on Baul is released.


*BHAVA Project*

BAUL Historical Ashram & Vedic Academy 
'Performing Arts'
         
Baul Sadhana, Yoga, Education, and Scholarships, Indian Music, Baul Music Baul Poetry, Sanskrit, Bengali, Baul Preforming arts, and Music, and Dance, Inner Science, Indian Philosophy, Sadhana   
                                                                                             
EKTARA 
FOUNDATION 
The International Baul Ashram, Bauls of Bengal,  will include research, preservation, translation, education, give support in the way of, food, medicine, health care, to support Baul performers, and their children.

Traditional authentic Baul spiritual Bhakti Yoga, including, Indian music, Indian Philosophy, Kirtan from an authentic India Kirtan lineage. Bauls are poets, philosophers, kirtan singers, and dancers. Babu's lineage are the only lineage of Bauls that is thousands of years old, they are the original Das and Dasi of West Bengal India. 

A Baul in this lineage speaks sanskrit, they have an incredible power of memory and the ability to remember an unlimited amount of songs, these songs are seeds of higher philosophies. They sing their songs in the Bengali just as Tulsi Das translated the Hanuman Chalisa into the language of the common people, so too did the lineage Bauls, singing in Bengali.


This lineage have been singing Hare Krishna Maha mantra traveling from village to village for thousands upon thousands of years. Nityananda Mahaprabu was a Baul from this lineage. The lineage is brahmin, there are also many great Avadhuta's that also originate from this lineage. Radha and Krishna live in their hearts, but they also worship Kali and Shiva, they can and do include pearls of wisdom from Buddhism, and Sufi. 


It is almost impossible to put Bauls into one category, to truly understand the depth, and just when you think you have them figured out, they show you something else, they are mystics, thery are the mystics of paradox. 

They are God/dess intoxicated Mystics, of the universe unseen, you do not have to understand their songs, it is best to listen with a spiritual ear, and fall into the BHAVA of the mystical sounds of thousands of years, a river of the unseen, a beautiful feeling of love..ecstatic divine god intoxicated love.


There are 5,000 to 10,000 pieces of Baul poetry in India to be translated, actually an unlimited amount. The Vaishnava Baul lineage has been an oral tradition, that has been passed on word of mouth through the sanskrit language. There is really not much traslated or known about these songs because Bauls are not part of regular society and do not want to pass anything along except to students of Guru's, really they do not care about the regular world. Bauls are elusive that is why they are almost extinct.


To be a Lineage Baul, your memory must be polished and developed from an early age, to hold and retain the songs, to learn the discourses of the songs, one song could contain the whole of the Bhagavad Gita, it is like a code language, seeds of higher philosophy. And of course to be a Baul you need to learn from a Baul Guru, a muslim Fakir is not a Baul. The Lineage Bauls are in no way connected or associated with a group of people calling themselves Western Bauls. 

Baul is a deep sadhana from the soil of Bengal, anyone can label themselves a Baul in this world today.. Beggars, westerns, charlatans but the real Bauls are the ones who are suffering, and they need help, so I would suggest to those who are westerns, or Baul singers please give something back to the Bauls.. do not just take.


Their songs are simple songs sung in Bengali, songs of Indian Philosophy, songs about Radha/ Krishna, Yoga, Ayurveda, Tantric songs..about the human body, the science behind the physical, and human energetics of life.


Their needs to be a place for the Bauls to go, an ashram, shelter, when they are not wandering, this is a basic need of all humans, realizing that Bauls are not an easy group of individuals to control. There needs to be a place to preserve this tradition, a place where International Students can also come and learn more about Baul.


In 2005 UNESCO labled Baul an intangible and ancient oral history of humankind.. the only problem with this is it is the Bauls of Bangladesh, yes they are Bauls but not the Lineage Bauls. The huge sums of money that went to Bangladesh to preserve Baul have not flowed over to the place where the Bauls originate in India... and the songs they are preserving are folk songs, they are not Baul songs. BAUL SONGS ARE NOT FOLK SONGS, Baul songs are spiritual sadhana..


Lineage Baul's,  originate from (Shantinekatan, Suri, Ekchakra, Birbhum,) (Nadia, Navadeep,) Bardwan, West Bengal. These are Indian Bauls, Vaishnava, Bauls, Tantric Bauls, they incorporate into Baul elements of Buddhism, and Sufi.. They the ancient oral lineage of Bauls who spoke sanskrit passing on their lineage for 5,000 years since the beginning of the story.


We are preserving the Das and Dasi lineage, this is BabuKishan Das Bauls lineage. Our vision is slightly different, from what is going on in Bangladesh, however, we surely would like some of the million dollars that a high official in Bangladesh convinced UNESCO to give him preserve the Bauls in Bangladesh.. I am sure the Bauls of Bangladesh would also love to see some of this money too.


The Bauls of Bangladesh arrived later, they are Sai, Aul, Fakir, Dervesh, as the name suggest they are Muslim Bauls, their songs are more related to Lalon Fakir, who no doubt was a great Baul, their songs are songs of rivers, water songs, more folk songs. 


The Bauls of Bengal sing spiritual songs, they are spiritual messengers of all things Indian, they were the spiritual newspaper, before the newspaper. The spiritual internet before the internet spreading peace, divine ecstasy, love, bhava, and harmony to all people. Our mission is to not only preserve, but to create an ashram for everybody, including people from outside of India..


Bauls of Bengal are Vaishnava, and some can lean more towards Kali, and Shiva. For instance Sri Nabani Das Baul was a great Yogi, a Avadhuta, a wandering Sadhu a Kali Sadhaka at Tarapith, he also always carried Radha and Krishna in his heart. Other Bauls in this lineage were householder Bauls living a Vaishnava lifestyle, but in the lineage of Nityananda Mahaprabhu, they did not shave their heads, they had hair as Nityananda had hair, thus so did they, believing Krishna also had hair, they are the god intoxicated Rasa Lila Mystics...

(Preserving a traditional authentic Living Lineage of India)

Nabani Brajabala Baul Ashram

Bauls do not have temples, they have ashrams, not too long ago there used to be 22 in Bengal, now there are only 0 zero today, our goal is to preserve this dying tradition, and create a Baul ashram in the Bengali ancient oral tradition of Vaishnava Baul... so that they have a place, so that they at least can preserve this tradition. 

Fake Bauls ashrams are not to be included or counted as Baul.


Most new Baul singers are singing regular Folk Songs, there needs to be a place to educate them correctly on Bauls songs, Baul Sadhana a place for philosophical discourse... Bauls are sadhaka's, sadhika's, and are poets, philosophers, they speak sanskrit, they are peacekeepers, and spiritual guru's, teachers.

The Bauls also need a place to perform, to survive in this world.. they need education, medical care, and food. They need hope, there is too much poverty, they need a solid ground to stand on in this changing world. This was Babu's dream years ago. but due to difficult family karmas he was not able to complete this.. now is the time... for a Baul ashram in Santinekatan, and one outside of India.

This is our Cause, so that the Bauls are given a chance at an authentic education, and survival.

©copyright, all rights reserved. 2010 
"The Bauls of Bengal" registered in Mumbai India in 2007

Baul History 101

A small History Lesson on who the Bauls of Bengal are? 
Jai Guru

New Baul Performers do not know the History of The Bauls of Bengal.  Most if not all of the new Bauls representing Baul today are not versed in Sanskrit,VedasBhagavad Gita, Upanishads, Yoga, Indian Philosophy orVedanta. This is the basis of being Baul. 

The new Baul singers have not been taught the incredible historical legacy that is The Bauls of Bengal, some are more interested in how they look or how they can make themselves a celebrity??

 There is no Bengal without Baul, and there is no Baul without Bengal, there is a soul connection between the Bauls and the soil of Bengal. I am sorry to say one problem is that scholars or writers on Baul have it wrong, they have either talked to the wrong Bauls or have cut and paste what already has been falsely written in books and articles regarding who the Baul are. 

Some are trying to popularize Bauls by saying that the Bauls are a rootless religion, this is one of the biggest distortions I have ever heard, and completely wrong. First of all Baul is not a religion... Baul is aDharma and a path of sadhana. Baul roots are not only deep they are ancient. If you do not know your eternal dharma and proceed on a path without roots you will never understand or gain the depth that is aquired from a strong foundation, one needs to understand the history, the roots of Baul, the eternal dharma called Baul.

The oral living lineage of the Baul of Bengal is like an ocean that was established thousands of years ago. The new rivers flow into the ocean, the ocean does not flow into the river. Rivers come to meet the ocean not the other way around, the ocean can not be smaller, everyday the ocean gets bigger and bigger, a river can only flow into the ocean. A seed will grow roots then grow into a beautiful tree full of lush leaves, flowers and fruit, the fruit of this tree is called Baul. This fruit can only grow through sadhana. 

The juice or rasa of Baul only is alive because this lineage has kept the light burning for thousands of years of pure devotion. In my observations the new Bauls are trying to change the unchangeable ocean of the Bauls of Bengal, cutting the roots off, without the roots the tree will not grow for future generations. Baul is mystical tradition of sadhana, a Guru and disciple parampara Oral Living Lineage. My lineage of Bauls being the oldest living lineage of Baul, we are the original ecstatic devotional singer, we are Tantric Bhakti Yogi's from West Bengal India. In 2011 I am finding the Bauls are at a crossroad, which way will they go?

Nobel prized great poet Rabindranath Tagore was deeply inspired by Nabani Das Baul, Baul Music and Baul philosophy, as Shri Nabani Das Baul was Tagore's Baul guru. Nabani Das Baul was the first and last Baul Teacher at Rabindranath Tagore's University 'Viswa Bharti'. He also was Indian Prime Minister Indira Gandhi's  Baul Music, Dance and philosophy teacher at Viswa Bharti, this is how Nabani Das Baul had come to Know Jawaharlal Nehru. When India gained independence form the British in 1947 Nehru invited Nabani Das Baul to sing at the inaugaration ceremonies all over India.

From Shri Chaitanya Mahaprabhu to America's poet Allen Ginsberg, Beatles, Rollingstones, Bob Dylan, Mahalia Jackson, Gandhiji, Nehru, Indira Gandhi, Osho, Amandamayi Ma, Ramakrishna Dev, Shri SitaRam Omkarnath, they were all inspired by our lineage of Bauls from Bengal. 

Even Mother Theresa loved the Bauls, and there are many others whom this lineage of Bauls, my family inspired.Anandamoyi Ma once said to me,  Bauls are complete, they are far advanced to a university degree, they are beyond a PHD. She said that she wanted to be in touch with my grandfather Nabani Das Baul but for some reason could not, her strongest spiritual guru Sitaram Das Omkarnath who brought her into the spiritual limelight was a very close associate of Nabani Das Baul and it was Sitaram Das Omkarnath who told Ananadmoyi Ma the many stories about my grandfather Sri Nabani Das Baul. At that time in history it was so hard to do what Anandamoyi Ma did, it was a mans world in regards to being a spiritual guru, I truly am blessed to have close association with both Anandamoyi Ma and Sitaram Das Omkarnath they were both Bengali's. 

Edward Dimock Jr. in his The Place of the Hidden Moon (1966) writes: "Rabindranath Tagore put the Bauls on a higher-than-respectable level by his praise of the beauty of their songs and spirit, and by his frank and proud acknowledgement of his own poetic debt to them." The Lineage Bauls of Bengal also inspired many other successful poets, playwrights and songwriters of the 19th and 20th centuries.

 The names Goswami (Gosai) Das or Dasi  have been our lineages names since the beginning of the story going back thousands of years. We are a lineage of mystical song and dance and of kirtan from West Bengal India. Kirtan is not just call and response chanting, it is about telling the stories of Radha and Krishna, the stories of all the scriptures, who is Ram and Sita what did they do, what are their stories? The Baul must learn these stories, they are seeds of Indian Baul philosophy, these seed songs are exactly what Baul songs are about. The seeds grow into the tree called Baul Sadhana, without the seeds or the roots a tree will never grow.. it is these roots I am trying to preserve for future generations.

The truth is and is well known in Bengal that Shri Nityananda, or Nitai born in Ekchhaka, Birbhum, West Bengal in the 1400-1500's was a Baul. Shri Nityanandainspired his best friend, a scholar by the name of Shri Chaitanya Dev, or Gauranga. As best friends Sri Nityananda shared the Hare Krishna Mahamantra with Shri Chaitanya Dev, along with our Hare Krishna song, dance and Baul sadhana. Baul is an oral tradition, an oral tradition is passed on through sanskrit, word of mouth, hearing and remembering, as in storytelling. An oral tradition is not a book tradition, the books are stored in our memory.

 Much has been distorted by scholarly writers and by Vaishnava reformers. These writers and reformers never had a connection to the oral tradition or the roots of Baul. The way of the Baul is the way of the Rasa Lila Mystics, the original Hare Krishna singers and dancers in Bengal. Bauls accept all, feed all, they even adopt those who are rejected by mainstream society. 

A Baul is never pedantic, we never say we are better or that Krishna is better than Shiva, that kind of talk is for the spiritually immature. Bauls encourage people, they are not preachers who gather people for the sake of collecting devotee's or collecting money to build temples. Bauls want everybody to be a free bird, to find the divine within. Bauls talk for the people, they show love they do not just talk about it, they already know all the finer points of Bhakti yoga.

Shri Nityananda being a Brahmin Lineage Baul when he met Chaitanya was already dancing and singing the Mahamantra as his ancestors had been doing for almost 5,000 years. This song and dance naturally, and spontaneously flowed to Shri Chaitanya.  Now I see the Bauls have been removed from all stories regarding Sri Nityananda and Sri Chaitanya completely written out of Vaishnava history. I am also seeing Sri Nityananada being left out of the story by some modern writers stating Shri Chaitanya is the only father of modern day kirtan ?? I will write more on this at a later date.

There is a huge misunderstanding that Bauls are beggars, they are only beggars for God/dess, some how we are all beggars in this world we are all begging for our survival, we are all begging for money, we all have to support our families.  Bauls are beggars for God most of the time they forget about their material reality,the need for artha, in this changing world there is a need for artha, Bauls deserve to earn a living also, they deserve to come out of poverty. Bauls were offered dakshina or offering gratitude to the Guru, because in the past Bauls were Guru's who dedicated their lives to pass on the most important spiritual knowledge, they provided deep inspiration to the people living in the rural villages of Bengal.

Purna Das Baul was the first Baul to make sure Bauls recieved money for their songs and their performances. Although his father Nabani Das would be furious if you gave him money for his singing, Purna saw it differently, being the eldest he saw how his mother struggled to feed her children. 

Purna Das Baul noticed everybody making money off of the Bauls, he said why should the Bauls not be paid for what they do, they have families and the old ways of survival no longer work. Purna Das Baul and my mother Manju Dasi always advocated to lifting the Bauls up to a respectable place in Bengali history. Bauls should be the only ones gaining from Baul, other people are making money by using the Bauls, and Purna Das thought Bauls should be profitting off of Baul. Bauls are wandering spiritual messengers. Today we pay for books, newspapers, magazines, TV and the Internet, we pay to keep the temples and pujari's.

 Bauls provided these services through song and dance, they taught lessons in Indian spirituality, in how to human, brotherly love, in the art and science of life, how to cooperate with nature, how to reach the highest, how to remove the shackles that bind us, for this they were given dakshina. Bauls have always been a major part of life in rural Bengal, they an integral part of Bengali culture. Bauls are the spiritual Guru bards, spiritual musical mystical Guru minstrels from West Bengal India. Bauls are the magical removers of darkness, they awaken the soul.  

Subodh Mitra's 1955 Raikamal classic oldie Bengali movie , was a film about my grandfather Shri Nabani Das Baul. When a movie is made about you in India in 1955 you can guess that Sri Nabani Das Baul was a figure of importance, a legendary person. The Bengali movie Hansraj was based on the life of my father,Purna Das Baul in 1985 which featured stories about my aunt Radharani Dasi, an outstanding woman Baul.

 I provided the story, and was the film project designer, they also made this movie into a Hindi version called Sawan Koaane aane do  made by Rajshri Productions. Raikamal. (Bengali, 1955) was adapted from a story by the Bengali author Tarashankar Banerjee who wrote about Sri Nabani Das Baul. The movie stared Uttam Kumar, Kaberi Bose, Nitish Mukherjee, Sabitri Chatterjee, Chandrabati Devi, Jiben Bose, Namita Sinha and others with music directed by Pankaj Mullick.

It is my thought that new Baul singers should at the very least be sadhaks andsadhika’s. A Baul should have experience in all areas of life, Bauls should be accomplished. Today we have Baul singers who are like tourist attractions, wandering world festivals calling themselves legendary?? In my opinion this is a blatant distortion of this most beautiful ancient oral living lineage. 

They are painting a picture, making up stories so fantastic, to be Baul is to be humble. The original Bauls of Bengal are almost extinct. Bauls are free birds, they are flexible but that does not mean anything goes. Today Baul is being misrepresented being made out to be about folk songs, smoking ganja, and tantric sex, is this the only topic the new Bauls can use to draw people in?? This is not Baul. If you read about Baul or hear about Baul and this is the first subject and only subject you can know you are hanging with the wrong Bauls.

Baul students really want to be Baul and that is very sweet, however, there is a procedure, a process of long sadhana of many years under a Guru until one is able to represent what being a Baul is. Teaching, talking about Baul is simple, learning Baul sadhana is arduous. There are at the very least 5,000 songs to memorize as seeds of higher philosophy. There should be some recognition of boundaries, even though a Baul always says they have no boundaries, a Baul must be able to understand the paradox in all things. 

A Baul must have a Baul Guru whom they study under for many years if not their whole life, they basically live with this guru every day for years and years, and this Guru should at least be a Baul Guru, a legitimate Baul Guru who teaches the lineage, the history of the Bauls of Bengal not omitting anything, a Guru who is honest and not afraid to tell the truth, this guru should have mastered Indian Philosophy. Myself I had to stand back for years and do seva to my guru before I went out on my own, and I certainly never called myself legendary, this is the sign of a immature ego.

The goal of Baul is not fame, it is not about writing books, it is not about performing, it is about reaching God and teaching others, to teach you must have reached a certain level of development where you can answer all the questions?? 

I myself have traveled the world for 40 years representing Baul and my lineage, my dharma, or my duty, it is in my blood, I am a lineage Baul of Bengal from a legendary family of Bauls, but blood aside I am a Baul, I have put in years and years of Sadhana and seva. If you want to help by preserving Baul first learn the history of what you are preserving. A Baul always has an ocean of deep knowledge, real wisdom, as a Baul you are a Guru not just a performer, you must be able to teach, to argue philosophy, you must be able to provide the knowledge of all things regarding Indian philosophy, and you must be able to help people heal. Bauls are master of energetics, a Baul is never about just a preformer. 

Baul is not just about saying a few words, smiling and acting sweet, to be a Baul, the lineage must be active within you, meaning you have spent years learning yoga, tantra, vedanta, Indian philosophy, you should have real life experience, with a level of maturity and some connection to the a real Baul?? You can only make people stupid for a little while. Baul is the most beautiful heart filled divine way of reaching heaven and realizing God/dess within you. It is Indian Bhakti Yoga, originating back to the beginning of the story the Bhagavad Gita.

Sufi Fakir is Sufi Fakir, Sai, Aul, Shah, Dervish is Sufi, Sufi is Sufi although there are some similarities they are not the same. Baul is always based on Indian Philosophy, Indian scriptures transmitted orally through the ages and distilled into simple songs in Bengali for the rural Bengali's who lived in the village. 

Bauls do sadhana they are yogi's, mantra, japa, nada yoga, pranayama, yoga, and they are accomplished tantric musicians who know the technique to awaken their intended deity, they are magic bringers, they make magic happen, Bauls know the technique to awaken the forces of nature and the divine the heart of everyone.

 Bauls are not just regualr singer and dancers. Just as a master of the Sitar who is accomplished knows the technique which awakens the divine that will fill the room with the perfume of a divine bhava, it is the same with the Baul there is a technique, the tantra of Baul awakens the perfume of the Gods and Goddess's, you must have completed your sadhana for this to be alive.  

Baul is not about just singing a song, or sitting around chanting a mantra in a group, as a Baul you must have mastered the tantra of Baul or have the siddhi of Baul. Baul is not just about shouting out a song and swinging in a circle, there is a technique, a Tantra a Baul sings from the heart. 

A Baul is a soul singer not a shouter and I can tell because I am a master of Baul, classical, folk and bollywood I can hear who is singing what? Most new Bauls are singing folk songs, and to my surprise I have even heard a few sing a bollywood songs, calling it a Baul song??

Baul is always based on Hinduism, Vaishnavism, Indian Tantra, Shakti Sadhana,Indian philosophy, and Yoga.  Parts of Sufi and Buddhism naturally and automatically flowed into the Baul philosophy and sadhana just as they automatically entered into Bengal. However it is important to remember Baul is not based in Sufi or Buddhism. Bauls never take anything, they are givers, Baul is about giving pearls of wisdom, giving information, they are Guru's and are the biggest healers and peacemakers. They are God intoxicated Mystics. 

Bauls wander from village to village they were the early moring wake up call, Hare Krishna, Hare Krishna they would be singing early in the morning to a morning raga. Their Ektara is their symbol of peace and unity, one string, unity between all people alls caste creeds or colour. 

The accept all who were rejected, a Bauls loves everybody, is respectful of everybody, they helped people grind themselves to be lovers of the divine. Baul originated way before Sufi or Buddhism. Bauls are ancient, they are a mystical path to reach God, they grind the rasa, the juice of the heart to wake up. Krishna and Radha live in the hearts of the lineage Bauls.

If you read Bauls who mention Bob Dylan, Woodstock, The Beatles, Allen Ginsberg, or Rabindranath Tagore, The Rolling Stones regarding Baul, they can only be talking about my family, however, I am finding Bauls throwing these names around like they were the people who met these people, they are using those names as a marketing tool, they do not even know or purposely leave out the names of Purna Das Baul or Nabani Das Baul, the lineage Bauls who brought Baul to the world, the Bauls who had a relationships with these people, are either myself personally or my family, mostly me. I have seen the Bangladeshi's people claiming these stories belong to them, talking about Allen Ginsberg, Bod Dylan, when I know they have never had any association??  I really wonder what is going on??

For that matter any association from outside of Birbhum to the world came through Nabani Das Khyapa Baul, or Purna Das Baul or myself, and has only come through our family. The new Bauls are singing songs from this lineage and they do not acknowledge who wrote the songs, where did the songs come from, and please do not shorten the songs, these songs are seed songs of higher philosophy. 

These new Bauls are taking all the credit, selling themselves on our stories, our songs they do not mention anything about the lineage or the people who have walked before them. We have been running around the world, dedicating our lives to sadhana, making a platform for these Bauls and yet they are using our life stories, our lineage and they do not even mention the legendary Nabani Das Baul and his family, which by the way is quite large. This lineage is based on Guru, there should be respect, if there is no respect then one has not learned the first lesson of being a Baul. 

The Baul students today like to be Baul, they hang out with a some Bauls, they call their Guru’s respected, that is all fine, but that also does not constitute what a Baul is.. It is not easy to be a Baul and certainly taking pictures of oneself with Bauls and dressing like a Baul, copying Purna Das, does not constitute being a Baul. 

Promoting yourself in magazines, websites, changing the story day by day does not mean you are a Baul. Baul songs are not folk songs, sadhana is Baul. The maturity of this sadhana must show. Everybody is messing up what Baul is, changing the story, watering down the songs to make them easier to sing. Western Bauls are not Bauls, they have no association with the Bauls of Bengal, even their Guru’s, guru was not a Baul. One of the first tenents of Baul is having respect and by using Baul as a way to create something for yourself is not about respect or respect for the Baul. 

Another thing I have noticed is UNESCO awarded a high level Bangladeshi official with the United Nations some millions of dollars to preserve Bauls in Bangladesh by convincing them Baul is about Sufi. Baul is not just about being a play write or poet as in Lalon Fakir who yes can be a Baul but he is not the whole history of Baul.

 Bauls were around thousands of years before Lalon Fakir they are poets, philosophers, musicians, they are everything to do with Yoga, Tantra, and Indian spirituality, they are about experiencing life in this human body, the body as the temple, divinity is within. This Bangladeshi official talks about how Baul is only about Lalon Fakir and the word Baul is muslim word, it is not. I myself have dedicated the better part of my life working tirelessly preserving Baul and have watched my family work tirelessly preserving Baul all around the world. 

Now I see the Bangladeshi's saying they are Baul by mostly singing folk songs. Baul songs are not folk songs. All of lives we have brought Baul out of the village it is surprising to me that even back in the 70's when I started to tour outside of India it was very rare to see an Indian let alone a Bangladeshi who knew about Bauls, even when we traveled to Bangladesh trying to help preserve Lalon Fakir songs, there were no Bauls in Bangladesh, there were a few and they were not singing Baul songs they were singing Bangladeshi folk songs and I brought them to Kolkata and had them recorded. Being Baul now all of a sudden I see Bangladeshi folk singers holding the ektara up high, but singing folk songs and becoming Baul and we are proud that they are embracing Baul, this is a very new thing.

Shri Nityananda of Ekchhaka is my ancestor, his son Birbandra Das Gosia is also part of my lineage, along with Advaita Gosia, Kheppa Chand Gosia, Okura Gosai, Triguna Dasi, Chakradhar Das, Anapurna Dasi, Narottama Das, Chandi Das, Rasaraj Gosai, Sri Nabani Das Baul, Radharani Dasi Baul, Gopal Das Baul, or Sri Purna Das Baul, Manju Das Baul to name only a few are legendary Bauls.  

Now I see young people who are calling themselves legendary. My mother Manju Das Baul traveled around the world over and over since 1962, she played on some of the biggest stages of the world including the Royal Albert Hall in London, Carnagie Hall in New York, Nitaji Indoor stadium in Kolkata, and she never once called herself legendary. My grandmother Brajabala Dasi and Aunt Radharani, and many more who are born and raised into the Baul way of life never once called themselves legendary. What is going on…?

 I know there are many Baul women who are not getting a chance, Baul women tend to be shy, they are not aggressive. I am going to make it my mission to promote these authentic Baul women, they need my help now. The stories are encoded in our songs, Gosai Das Baul. I have read the writings of modern day Vaishnava reformers it is all wrong, all I see is cut and paste, the stories are so far fetched and they believe this to be truth because their Guru said, there is no basis for over half of the stories, no where in Bengal have we ever heard these made up stories.

The first Dotara played by a Baul was introduced by Gopal Das Baul in the early 1940's he was the husband of my aunt Radharani Dasi Baul  (Radharani Dasi was the biggest most famous Baul women ever.)  Gopal Das Baul was a disciple of my grandfather Nabani Das Baul. Nabani asked what Gopal wanted because as he was such a wonderful student. Gopal said, "I want to marry your daughter, Radharani Dasi allow me to be part of your family and take care of Radharani all my life".. 

Gopal Das Baul was pure and true Vaishnava, a true sadhak. I am proud to say Radharani Dasi was the first official Baul to record for all India Radio... The movie Raikamal was about Radharani's life, wrote by one of Bengali's top writers, Tara Shankar. In 1985 a movie called 'Togori' was also made about Radharani's life. Radharani's husband Gopal Das was the son of the Ekchakra Nityananda Temple, I remember Gopal Das Baul as the greatest sweet maker, and I love him lots.

I have noticed there is one new young women baul performer who has completely copied my aunt Radharani's dress from the movie Togori, which is fine, however, I created dress as in costume design for a movie, I personally designed it for the movie, my Aunt Radharani did not actually dresss that way?? Purna Das Baul is the only real Baul to wear Nupur anklets around his ankles, no other Baul has worn them before him, he introduced them, Bauls wear ankle bells around their ankles, most people do not know this, Bauls follow whatever Baul Samarat Purna Das Baul has done or for that matter whatever our lineage has done.. songs, dress, ect...

The famous Bengali poet Rabindranath Tagore, was the one person in the world who talked about the Bauls, he had met Lalon Fakir, but it was Sri Nabani Das Baul who was his Baul Guru, and his best firend and the Baul who inspiratedRabindranath Tagore. He named Nabani Das Baul Khappa Baul, Nabani Das Baul named him (Robi) Ravi Baul.

 Rabindranath Tagore started the Pous Mela in honour of my grandfather Shri Nabani Das Khyappa Baul. Rabindranath created this festival to bring all the poets of the world together and to preserve Bengali culture in Shantiniketan, he named the bridge, Nabani Setu after my Grandfather Sri Nabani Das Baul as he was the first Baul to be introduced through the Pous Mela, he opened the door for other Bauls at the Pous Mela. Nabani Das Baul was the biggest attraction for the Joy Dev Mela, Rabindranath said to Nabani Das you go to the Joy Dev Mela why not start a Mela here in Shantinekatan to bring together all the poets and storytellers around the world. He thought Nabani Das would be the biggest attraction for everybody. Rabindranath photographed Nabani Das Baul and you can even view these photographs in the Royal British Museum in London. He created a meditation spot for Nabani Das just opposite the glass room in Shantiniketan.

It was the American Poet Allen Ginsberg who met Nabani Das Baul in the early 60’s, Ginsberg called Nabani Das his Guru and the 8th wonder of the world, although Nabani didn't want to be Allen’s guru, he wrote about Sri Nabani Das Baul in the New York times, Nabani preference was to remain anonymous(but way before Allen Ginsberg some people did record and wrote about nabani das baul in europe,Japan). Allen Ginsberg suggested that Nabani Das Baul come toWoodstock, Nabani Das Baul could not go or perhaps he would not go, as he was not well, he sent his son’s, Purna Das Baul and Luxman Das Baul to Woodstock, this was the beginning of this families legendary association with Bob Dylan.

You can see Purna Das Baul and Luxman Das Baul on the cover of Bob Dylans, ‘John Westly Harding’ album.  This was the first time any Baul had come to North America, Purna Das had already traveled to Russia and all over India. Sri Purna Das Baul has now been traveling for over 70 years. I have been traveling for over 40 years around the world, with my father and mother at first, and then by myself, continuous traveling, promoting Baul, lecturing about Baul. It is not easy to do because most people have short attention spans. It is easy for the new Baul singers to change the story, to make up their own story and undue any of the work I have done??? I never see them even mention Nabani Das Baul or Baul Samarat Purna Das Baul?? As i said they sing the songs composed by my grandfather, my family and never mention who composed the song, you should at least know this, don't you think??

Nabani Das Khyappa Baul was already famous through his ecstatic Baul sadhana and divine ecstatic singing that would propel even a casual passerby into the bhava divine blissful God intoxication. This is what a lineage is, this is what Baul singing is about, it is not about singing a song, or a folk song it is about awakening a lifetimes worth of meditation, the result of Yoga and the Rasa Lila dance between Radha, Krishna, and the Gopi’s. The Lineage Bauls is Brahmin, however, they rejected the orthodox Vaishnava rules and regulations, the lineage is that of Gosia Das Baul, Gotra "chidananda." They wanted to become free birds, natural, spontaneous, they are naturally raganuga bhakti. Bauls have always been know as spontaneous mad men and women who erupt like a volcano of love into pure ecstasy because of the divine love between Radha and Krishna. For the lineage Bauls this is not something they have to learn it flows through their lineage, they laugh spontaneously, they cry sponaneously, they move spontaneously. Bauls include and accept all people, all castes, and creeds. There is one thing you must understand Baul does not mean anything goes, you must be human first and the best human you can be, refining our human nature first. One needs to use and develop and intellect, know how to cooperate with the universe,this is implied one must understand Indian philosophy, the rules of Yoga, Ayurveda ect...

One of the first steps in doing Baul Sadhana, is purification through breath control or pranayama, we call it Vayu Dharma. The term Baul is a Sanskrit word, Vaul, B and V are interchanged when interpreting Sanskrit into English.. ie) you may see Brindavan also spelled Vrindivan. Baul = Vaul=Ba tula= Vayu Tula= vital air to lift up. To lift up the vital airs. Baa ool is the easiest way to pronounce Baul for a westerner. Yes Bauls are ecstatic, mystical, mad, crazy, with love, in the bhava of love, they are moody, and only concerned about one thing, divine love.

 Everybody talks about their own religion, their own spirituality, Sufi talks about Sufi, Budhism talks about Buddhism, Vaishnava talks about Vaishnavism, Christianity talks about themselves, all talking about their own saying, this is the way, we are the way.  Baul talks about everybody, embraces everybody saying all are the way, accept all, what is important is inside of you, turn around and look within God lives inside of you. Thus Sadhana is the most essential element of being a Baul and by stating this it does not mean one should give up the intellect… 

Being a Baul is about developing your intellect, being a philosopher, not following blindly. Baul is most certainly about experence, that is one of the reasons they wander to gain experience in life. They have family, children, and because we are in 2011 it means education, to be in the world and not of the world.. For Bauls to survive in this rapidly changing world it is my belief that they need a modern education, everything is changing at such a rapid rate, the real Bauls are struggling.

Before the Pous Mela there were many Baul Festivals, places where Bauls gathered and they used to exchange, meeting talking about their sadhana, philosophy, music, dance and deep connections through their poetry in Birbhum's  Jaydev Mela, Kankali Tala, Tarapith, Mama Bhaghne, PathorChapri, Bakreshwar, Nadia, Murshidabad, Purilia, Nabani Das was always present in all of these festivals. Shri Nabani Das Khyappa Baul was covered West Bengal's best news magazine 'Desh". Longtime on Pous Mela's Booklet,

 Jaydev Mela's Booklet, and in so many West Bengal's news papers and magazine then in some International news papers and magazines way before anyone ever knew anything about Bauls, he was the first. He was the first Baul who's pictures are at London Museum, there were books on him, Films on him. He was the first and last Baul Teacher at Rabindranath Tagore's University 'Viswa Bharti'. Nabani Das Baul was India's Prime Minister Indira Gandhi's Music, Dance and philosiphy teacher at Viswa Bharti, that is how he had come to Know Jawharlal Nehru.

Later Jawharlal invited Nabani Das Baul to perfom Baul song and dance in Delhi, Kolkata, Rajasthan, and that is how the first Baul came from village to city. Nabani Das Baul was a Sanskrit Scholar as well as a Tantric sadhak a followership of Kali & Krishna, he was a very accomplished Kali Sadhaka at Tarapith, yes you could say legendary. Most of all modern Bauls sing Nabani Das Baul songs, all writen by him, seeds of his sadhana and they do not acknowledge this.

Indian father of Film writer and director Satyajit Ray was also inspired by Nabani Das Baul,  so was Ritwik Ghatok, Mrinal Sen, Tarun Mazumder and many more film personalities inspired were also inspired by my grandfather, my guru Nabani Das Baul. Rabindranath Tagore was inspired by him,  in his compositions like 'Dekhechhi roop sagore' to'Amare paraye paraye khepiye berai' and 'Hari naam diye jagot' to 'jodi tor dak sune kei'.

My dad Purna Das Baul is the Superstar of Bauls and King or Samarat of the Bauls of Bengal, he recieved the title Baul Samarat form the President of India. Purna Das Baul completely changed the era of Baul.  Bauls follow him, they dress like him, they sing his songs from our lineage. He completely helped the Bauls to become performing artists, now you can find them on every stage around the world. Where you see a Baul performing around the world, no matter who it is,

 it is because of Purna Das Baul and our family who paved the way for this beautiful art form and we are the first to share Baul with the world. What bauls are doing today the ones that are traveling the world is only due to Purna Das Baul he promoted Baul from village to famous music record labels, film, television, books, news papers, magazines, performing from every lane to International stages, festivals, universities. Purna Das and my family have made Baul known outside of Bengal and that is deserves acknowledgment, it comes from our lineage. 

One would wonder why is Babu going on and on about this, because our lineage, our songs, our names are being left out of history and the stories are being distorted, this is important that Baul is preserved in its proper context, Baul originates in India, and yes it makes me wild when I see others using Baul for their own cause without even an idea of the real story of Baul.

I can honestly say because I am a Baul and a Classical, Folk and Bollywood music master, that Purna Das Baul is the best Baul singer, nobody can even come close to him as a Baul singer. As a Baul he is an ocean in his Baul knowledge, in his style of Classic Baul singing he has performed on the world biggest stages in front of millions of people he is like a ocean, every Baul wants to be Purna Das Baul in sound and style. 

Purna Das Baul brought along and introduced many Bauls to the stage he took many of them overseas with him including, his brother Laxshman Das Baul, Sudhananda, Subal Das Baul, Sanatan Das Baul, Gostogopal Das, Praladhbramcharya, Bhakti Das Baul, Viswanath das Baul, Devdas Baul, Dinobandhu Das Baul, Jiban Das Baul, Hari Krishna Das Baul. Purna Das Baul introduced these Bauls and he had a very hard time controlling many of them, as many of them did things he did not approve of out of the country or they started to say I am this I am that… 

Baul was never about women, ganja, it is about control, and sadhana.  I myself introduced many people to Baul, and almost 90% of the new comer Baul singers I have introduced to the stage, through many of the Baul melas that I personally organized in West Bengal.

Samrat Purna Das Baul thought by inspiring people because he was attracting huge numbers of people from around the world he could intoduce people to the greatness of the mystical Bauls. However, he noticed people were using his father's name, his name and all of his music, and his voice. We would meet with scholars tell them our knowledge only to have them write books on the Bauls and never give the Bauls recognition or help the Bauls. 

Over his 70 years of traveling and my 40 years my travels we observed all sort of people using the Bauls. People other than Bauls were making money off of the Bauls. We did fundraising for Iskcon, the Ramakrishna mission, temples, groups, people who were going to help us promote the Bauls only to find they were promoting themselves. Pruna das Baul wanted people to stop using the Baul, and he figured the Bauls were worth more than to just to be a fundraiser for everyone. We now need to do our own fundraising to preserve this tradition. 

I have created the BHAVA Project (Baul Historical Ashram and Vedic Academy) and Performing Arts, under a Foundation named the Ektara Foundation to preserve my ancient oral living lineage and to create a bridge to inspire young people. Sometimes people see me as having left Baul, and gone to Bollywood. 

I never ever left Baul or my sadhana, my sadhana is strong, it is a part of my life. I have gathered valuable life experience and am now able to do more for the Bauls. We live in different times, we need to keep the original but times have changed, how can we keep the original in this changing world. The world will not stop so perhaps we need to adapt, to look at our young generation and think how do I get these talented young people interesting in Baul way and also do somthing for them on the world stage? http://ektarabaul.blogspot.com/

 Purna Das Baul and his family introduced Sally Grossman, Charles Capwell from Chicago University, Professor Edward Dimock, Deben Battacharya, Carol Solomon to Baul and gave unlimited information about what being a Baul is and we are happy that they helped promote the Bauls of Bengal. It is our family of Bauls who introduced Baul to all festivals and universities around the world.. We did all the leg work, talking, promoting, preserving, it is always so easy for others who come after to be critical but you know what no would even know who the Bauls are without our family. I know how much work was involved, I know I gave up many years of my life to serve my parents, I know how much work my mom Manju Das did. I worked day and night to make all of this happen.

Purna Das Baul won a first Gold medal as Baul in Rajasthan in the 50's, then another in the Russian Youth Festival in the early 60’s. He is the first official to Baul start to start his journey with All India Radio permanently as A Grade Artist. His his father Nabani Das Baul was first, but he was not permanent, because he was a God intoxicated, wild, mad, sadhu Baul he never stayed in one place for very long, constantly moving, that is why after I was born he carried me everywhere with him. After Radio Purna Das Baul recorded with the Hindusthan Record Company, along with his father Nabani Das. 

Purna Das's sister. My aunt Radharani Dasi was the first woman Baul and belive me she nothing like the female Baul singers today shouting out songs, she was completely a deep spiritual soul singer, one must remember my ears are so trained, I am a composer, I can hear what is Baul and what is not Baul. Purna Das’s first record was so popular because his style was different from anyone. 

The record Company's owner contracted him every year, and one album after one album he was now a super star. This made him the King of Bauls. Films, at Festivals, Televisions, Traveling world wide Purna Das never looked back. I composed mosly all of my parents music .

The Biggest question for the Bauls is, What is next??? This is the big questions for the History of the Bauls of Bengal . Which way will the Bauls of Bengal go, the lineage of Bauls, it looks to me like they are becoming distorted, a watered down version, they are becoming whatever any new age Baul singer wants to say, I am this, I am that, who is to blame?The authentic Baul sadhana’s will be lost forever, I already hear all sorts of Bauls singing folk songs, and only sufi songs, calling Baul something it is not and never was meant to be.

The World is changing so fast, generations of young people do not even know Baul history how Nabani Das Khyapa Baul's name was in all the Intellectual circles and they all associated with his all the famous poets, politicians, painters, Film Makers, Sadhus, Yogis, Tantrics, and Great Film makers such as Satyajit Ray, Mrinal Sen, Ritwik Ghatok, Tarun MazumderJamini, Bimal Roy, Ajit Ganguly they were all inspired by their favourite Nabani Das Baul. Whoever met Rabindranath Tagore, used to say Khyapa Nabani Das Baul was the last original authentic Baul, now today what I see I almost want to weep, at the lack of Baul history, how everybody is saying they are legendary, I am not sure these new Baul really know what it is to be a Baul. 

However, I do have hope that they can be trained authentically and my dream is to create a Baul ashram to do just that to preserve my lineage, to tell the stories as they should be told, to help the Bauls remain on the world stage with their heads held high. I realize I have to come back to Bengal to make this happen, is it possible, will the Bengal people support Baul, a major part of Bengali Culture or are the Baul a thing of the past, now just to be a tourist attraction? I want to create a legacy for the Bauls of Bengal, a place for them to do sahana, for all the new Bauls to learn the history of Baul. To be a Baul is an honour now is the time the world needs to learn about these gentle peace keepers, the way of the Baul perhaps is the way of a new world full of peace, acceptance, and divine love, including all, helping all.

Sandhya Das was a upcoming and Classical trained singer and performer in Kolkata, West Bengal.Also a music teacher at Children Little Theater where her friend was dance teacher who became so Famous actress Sharmila Tagore. Sandhya received a contract from government of India to tour allover India to entertain Indian Army Troops performing with a group, however, there a problem was she didn't know any Bengali folk and Baul music, the troops were not interested in Classical Indian music. 

So Sandhya needed to be trained in folk music and preferably baul music she searched and found a folk teacher but she could not find anybody to teach her Baul songs. The Government found her a new teacher who was already a famous Baul who was from Birbhum but was living in Kolkata, that happened to be Purna Das Baul. 

 She met the Baul at All India Radio and learnt a couple of Baul songs. After she came back from a tour, her life completely changed. She found something much interesting in Baul music than anything else. She fell in love not only Baul music but with  that extraordinary Baul and married him, changed her life style from regular woman to Baulini and Sandhya became the famous Baulini Manju Das Baul,who was the first official woman Baul in  World's history to travel the world at a very young age, she was by Purna Das Baul side in all of his many world travels, she was not only a Baul but an educated women with a BA in India classical music, a really devoted wife and sadhika.  There are many interesting stories about my mother, famous people she met, a extraordinary life she lived. Manju Das Baul is the first Baul to ever use the Harmonium.

 One story that my mother Manju Das Baul about her father Jogesh Das was triple MA with a Masters degrees in Bengali, English and Sanskrit, he was a professor at Dhaka University, in what today is called Bangladesh they left there during a muslim uprising, they were Hindu and kicked off their land, there relatives were tortured and beheaded all because they were not Muslim and forced out of the area where they had lived their lives. 

They became refugees in Kolkata living in a refugee camp called Jadavpur. Jogesh obtained a job as a temporary sanskrit lecturer at Kolkata University, he became good friends with a man he met at Tollygunge who later became a modern spiritual leader, his name was Abhay Charan Dey who later became known as Srila Prabhupada of Iskcon. How interesting Mr. Abhay knew both my grandfathers well, and Nabani Das Baul's ancestory being that of Sri Nityananda he also knew that Das and Dasi were names in our lineage, and that we were always considered part of the Gaudiya math lineage, very interesting how life unfolds, and how stories are changed??? 

The stories I learned in Bengal and what was passed onto me by my lineage are totally different stories from the stories I am seeing written today? Srila Prabupada invited my dad Purna Das Baul to sing for him in India, London and America, come sing for krishna help raise money in Krishna's honour, over time we realized that they actually were putting the Bauls down behind their backs, taking their names, changing the story, and not mentioning the Bauls, taking things from their lineage and double talking behind their backs, even calling the Gaudiya Math back in India wrong?? .......to be cont'd in full context at a later date.....
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Babu Kishan aka Krishnendu Das Baul, born in Suri, Birbhum, West Bengal into the lap of Sri Nabani Das Kyappa Baul and Brajobala Dasi, his grandparents, he lived a lucid life in the highest of spiritual energy, he was initiated by all of the Saints, Sadhu's, Siddha's, Guru's, Yogi's, Tantrics, Nath's, Avadhuta's, that lived during the 60's, & 70's,80's, 90's, onward. His grandfather was an accomplished tantric, Avadhuta, Baul Saint. Babu was Bala Krishna to Sri Nabani Das Baul, he took Babu everywhere with him. Babu is the first Baul to be educated in the oral tradition, and outside of the oral tradition with a "BA Indian Philosophy, MA Indian Music," he is a "Sanskrit Vedic Tantric Baul Scholar Mystic." He spent 12 years as a Vedic Monk at the Ramakrishna Mission in Narendrapur, Kolkata. 30 years in Bollywood as a music composer, and film maker. 

Babu Kishan aka Krishnendu Das Baul is a Master of Baul songs and Baul Sadhana, Indian Folk music, Indian Classical, and Bollywood music. He has produced, promoted, composed for all the top Bollywood India musican's and singers. He is the first Baul to compose Fusion Music, get a modern education, the first Baul to live in North America. As a Music Director, Composer, for Indian Cinema for 30 years, he has composed over 150 scores, produced 44 albums. A prolific writer, poet, and author of 3 books on Baul. He has been traveling the world promoting, teaching Lineage Baul for more than 40 years.

 © copyright  all rights reserved 2011
by Babu Kishan aka Krishnendu Das Baul and Trishula Sandra Das
Babu Kishan, he is a lineage Baul, and a Baul Scholar preserving his Ancient Oral Living Lineage.